Baileys Prize Shortlist Wrap-up

When the Baileys Women’s Prize for Fiction shortlist was announced earlier this year I made it my mission to get through all of them before the winner is announced (the prizegiving is taking place 7th June 2017). I got on pretty well and (thanks to my local library!) I read five out of the six. The only one I missed out on was The Sport of Kings – I didn’t have enough time to get stuck in before I had to send it back to my local library as it was reserved for another member!

Here are my thoughts on the 2017 shortlist:

The Power by Naomi Alderman (Penguin / Viking) – 4/5
ThePower
Set in a contemporary – and almost dystopian – world, The Power is a feminist study into what would happen if true, unlimited power was in the hands of women. In this new world, with the flick of a wrist, women can emit an electrifying force and this emergence of power soon leads to corruption. I honestly didn’t know what to think once I had finished The Power – it blew my mind. It was fascinating and terrifying; I still regularly think about it and I read it over 3 months ago now. I definitely encourage you to read this, whether you’re male or female, as I think everyone will take something different from The Power. Ultimately, it questions gender, power and religion. Trigger warning: there are some harrowing scenes throughout, featuring sex-trafficking, death, rape and civil war.

First Love by Gwendoline Riley (Granta) – 3/5
FirstLove
What First Love lacks in length, being the shortest novel on the shortlist, it certainly makes up for with emotion and grit. The main character, Neve, is in an unhappy, abusive and seemingly loveless marriage with Edwyn. But there is more to it. It appears that her formative years have played a huge part in contributing to her current situation as well as her mental state; or is it actually Edwyn’s fault they’re in the predicament they are? Riley writes pithy dialogue which is true to life, giving us a glimpse into Neve and Edwyn’s marriage behind closed doors. We never truly understand their backstory. First Love is raw and disturbing in places, but it lacked a real story – the timeline felt confused and it is missing a satisfying ending, however I’m certainly keen to read more of Riley’s work to see how First Love compares.

Do Not Say We Have Nothing by Madeline Thien (Granta) – 3/5
donotsay
Spanning many, many years of Chinese history, Do Not Say We Have Nothing is an epic, expansive study into the realities of life under Chairman Mao’s cultural revolution. Family loyalty, music and brutality all feature heavily in Thien’s writing. I’ll admit that I had some trouble reading this – it took me at least 100 pages to get into the story, in addition to this there are so many characters, often with multiple names and nicknames that I had to wrack my brain to figure out who was who at times. It is a fascinating read, but also felt quite heavy-going, which made it hard to emotionally invest in the characters. Whilst this isn’t my favourite book of the shortlist I can definitely see why it has been nominated as it is a fantastic piece of historical writing that offers insight to the country’s fragmented state of affairs.

The Dark Circle by Linda Grant (Virago) – 3/5
DarkCircle
Set in a tuberculosis sanatorium in the Kent countryside, The Dark Circle charts the beginnings of the NHS at the end of the Second World War. Second generation Jewish immigrants, twins Lenny and Miriam, are sent there in their teenage years to recover and gain strength. Linda Grant’s characters, whilst diverse, felt lacklustre; there is something missing for me as I didn’t care what happened to them, which is never a good sign. If the plot was stronger and quicker in places I think I would have been more connected to their stories. It is a moderately enjoyable read, but it certainly felt wayward in places, particularly as the story progressed to hear about their later lives.

Stay With Me by Ayobami Adébáyò (Canongate Books) – 5/5
staywithme
Spoiler: I absolutely loved this book. Set in Nigeria, Stay With Me is a mouthpiece for Yejide and Akin, a married couple whose troubles push them to the brink of separation. The themes of individual identity, heritage and societal expectations of women are explored as Yejide struggles to conceive; she cannot offer Akin the family his family have always dreamt of. The plot then thickens, set against a backdrop of Nigerian politics. Stay With Me weaves a stunning and engaging story of deception and love. Featuring many twists and turns, the narrative flows effortlessly. It swiftly switches perspectives, between Yejide and Akin, making the reader challenge their assumptions of what the female or male view of marriage should be. I felt wholly invested in this book and was sad when the book ended – Adébáyò manages to fit so much in less than 300 pages! I was also astounded to hear that this is her debut novel. Without a doubt, I will be keeping an eye on what Adébáyò does next as I’m sure she has a bright future ahead.

My prediction

Based on my overall reading experience I would absolutely love Stay With Me to win as it drew me in and enveloped me with its layered commentary on marriage and the pressures of being a woman. Having said that, I don’t think it will win – I think The Power will. It has so many themes that are prevalent and important in today’s predominantly patriarchal society. Until we have full equality between men and women I think this will continue to be an important, eye-opening read. It is clever, powerful (sorry, I couldn’t resist…) and really, really is something special. It is such a unique novel. Either way, I’d be happy if one of these fantastic novels won the prize! Now, we just have to wait until 7th June for the winner to be unveiled.

Advertisements

Baileys Women’s Prize for Fiction 2017: My hopes

With a week to go until the Baileys Women’s Prize for Fiction longlist is announced (8th March), I thought I’d put together a post on the novels I hope to see on there.

The literary prize exclusively for women was set up in 1992; between 1995 and 2012 the prize was better known as The Orange Prize for Fiction and in June 2013 they announced a three-year sponsorship with Baileys, changing the name to The Baileys Women’s Prize for Fiction. You can read more about the history of the prize, and why it’s important women are recognised and have a place in literature, here.

This year, the longlist will be slashed from 20 to 12, which will certainly make it easier for us to read all nominees and do some armchair judging of our own. Eligible titles are those published between the 1st April 2016 and the 31st March 2017 and written in English.

So, which novels do I think deserve a place on this year’s longlist? 

WomenBaileysPrize.png

Homegoing – Yaa Gyasi  

Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader’s wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel – the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.

Tidal Zone – Sarah Moss

Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man and he is happy. But one day, he receives a call from his daughter’s school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed.

My Name is Leon – Kit de Waal

A brother chosen. A brother left behind. And a family where you’d least expect to find one. Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, and a belly like Father Christmas. But the adults are speaking in low voices, and wearing Pretend faces. They are threatening to give Jake to strangers. Since Jake is white and Leon is not. My Name is Leon is a heart-breaking story of love, identity and learning to overcome unbearable loss.

The Gustav Sonata – Rose Tremain

Gustav grows up in a small town in Switzerland, where the horrors of the Second World War seem a distant echo. But Gustav’s father has mysteriously died, and his adored mother Emilie is strangely cold and indifferent to him. Gustav’s life is a lonely one until he meets Anton. An intense lifelong friendship develops but Anton fails to understand how deeply and irrevocably his life and Gustav’s are entwined until it is almost too late…

The Essex Serpent – Sarah Perry

Set in Victorian London and an Essex village in the 1890’s, and enlivened by the debates on scientific and medical discovery which defined the era, The Essex Serpent has at its heart the story of two extraordinary people who fall for each other, but not in the usual way.

The Good People – Hannah Kent

Based on true events in County Kerry, Ireland, 1825 – and set in a lost world bound by its own laws – The Good People is Hannah Kent’s startling new novel about absolute belief and devoted love. Three women, NÓRA, MARY and NANCE, are drawn together in the hope of restoring Micheál, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path, and force them to question everything they have ever known.

The Muse – Jessie Burton  

A picture hides a thousand words . . .On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn’t know she had, she remains a mystery – no more so than when a lost masterpiece with a secret history is delivered to the gallery. The truth about the painting lies in 1936 and a large house in rural Spain, where Olive Schloss, the daughter of a renowned art dealer, is harbouring ambitions of her own. Into this fragile paradise come artist and revolutionary Isaac Robles and his half-sister Teresa, who immediately insinuate themselves into the Schloss family, with explosive and devastating consequences . . .

Have you read any of the books on my list? Which authors would you like to see on the longlist for 2017 and what have your favourite books of the past year been?

Picture1.png
Image courtesy of Baileys Women’s Prize for Fiction

Key dates:

  • 8th March: Longlist announced
  • 3rd April: Shortlist announced
  • 5th June: Shortlist readings
  • 7th June: 2017 winner announced