My Man Booker Prize plans

Each year I usually give myself the ambitious challenge of reading all of the books on The Man Booker longlist. This year, I’m cutting myself some slack. I’ve taken a look through the longlist and only a small handful jump out at me. One of the things I love about literary prizes is discovering new authors and fantastic stories, but this year I want to focus on the ones that excite me, because after all life is too short to spend time reading books that I know I won’t enjoy…

Out of the thirteen books, I’ve already read two: Days Without End by Sebastian Barry and Exit West by Mohsin Hamid, both of which I’ve written mini reviews on. There are eleven books left to pick from and my Man Booker picks are:

The Ministry Of Utmost Happiness by Arundhati Roy (Hamish Hamilton)

Ministry

The Ministry of Utmost Happiness takes us on a journey of many years-the story spooling outwards from the cramped neighbourhoods of Old Delhi into the burgeoning new metropolis and beyond, to the Valley of Kashmir and the forests of Central India, where war is peace and peace is war, and where, from time to time, ‘normalcy’ is declared.

Anjum, who used to be Aftab, unrolls a threadbare carpet in a city graveyard that she calls home. A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who loved her.

The Ministry of Utmost Happiness is at once an aching love story and a decisive remonstration. It is told in a whisper, in a shout, through tears and sometimes with a laugh. Its heroes are people who have been broken by the world they live in and then rescued, mended by love-and by hope. For this reason, they are as steely as they are fragile, and they never surrender. This ravishing, magnificent book reinvents what a novel can do and can be. And it demonstrates on every page the miracle of Arundhati Roy’s storytelling gifts.

Autumn by Ali Smith (Hamish Hamilton)

Autumn

Daniel is a century old. Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.

Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever . . .

Swing Time by Zadie Smith (Hamish Hamilton)

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Two brown girls dream of being dancers – but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It’s a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either.

Bursting with energy, rhythm and movement, Swing Time is Zadie Smith’s most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . .

The Underground Railroad by Colson Whitehead (Fleet)

UndergroundRailroad

Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.

In Whitehead’s razor-sharp imagining of the antebellum South, the Underground Railroad has assumed a physical form: a dilapidated box car pulled along subterranean tracks by a steam locomotive, picking up fugitives wherever it can. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But its placid surface masks an infernal scheme designed for its unknowing black inhabitants. And even worse: Ridgeway, the relentless slave catcher sent to find Cora, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.

At each stop on her journey, Cora encounters a different world. As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once the story of one woman’s ferocious will to escape the horrors of bondage and a shatteringly powerful meditation on history.

Out of the longlist, which ones are you most excited for? Do you think I’ve missed some essential reading off my list?

  • 4 3 2 1by Paul Auster (US) (Faber & Faber)
  • Days Without Endby Sebastian Barry (Ireland) (Faber & Faber)
  • History of Wolves by Emily Fridlund (US) (Weidenfeld & Nicolson)
  • Exit West by Mohsin Hamid (Pakistan-UK) (Hamish Hamilton)
  • Solar Bonesby Mike McCormack (Ireland) (Canongate)
  • Reservoir 13 by Jon McGregor (UK) (4thEstate)
  • Elmetby Fiona Mozley (UK) (JM Originals)
  • The Ministry Of Utmost Happinessby Arundhati Roy (India) (Hamish Hamilton)
  • Lincoln in the Bardoby George Saunders (US) (Bloomsbury Publishing)
  • Home Fireby Kamila Shamsie (UK-Pakistan) (Bloomsbury Circus)
  • Autumn by Ali Smith (UK) (Hamish Hamilton)
  • Swing Time by Zadie Smith (UK) (Hamish Hamilton)
  • The Underground Railroad by Colson Whitehead (US) (Fleet)

 

Book Review: Did You See Melody by Sophie Hannah (Hodder & Stoughton)

DidYouSeeMelody

About the book:

Pushed to the breaking point, Cara Burrows abandons her home and family and escapes to a five-star spa resort she can’t afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied – by a man and a teenage girl.

A simple mistake on the part of the hotel receptionist – but Cara’s fear intensifies when she works out that the girl she saw alive and well in the hotel room is someone she can’t possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving life sentences for her murder.

Cara doesn’t know what to trust: everything she’s read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

Author: Sophie Hannah
Publisher: Hodder & Stoughton
Hardback: 336 pages, to be published 24th August 2017

My thoughts:

My friend Melissa introduced me to Sophie Hannah a few years ago and since then I’ve been a huge fan of her books – particularly the Culver Valley Series – so I was more than excited to get my hands on an early copy of Did You See Melody.

Cara Burrows flees to the US to escape her family and not before long she’s embroiled in the historic murder case of the infamous Melody Chapa. The drama slowly unfolds amongst the inhabitants of five-star spa resort, as we find out what really happened to Melody that fateful day. The characters are memorable, and drawn so colourfully, with a range of conflicting personalities that help bring the story to life. The mixed formats used in the book – from the narrative and Melody’s book to TV dialogue and interviews – kept it fast paced and built the intrigue and mystery.

Although the story is farfetched in places it doesn’t detract from the enjoyment of the book, as Sophie Hannah is such a great storyteller. Did You See Melody is a compelling read, full of dark humour and twists – I highly recommend this for an easy Summer read.

July Reads

Another month has passed, which means it’s time for another wrap-up! I must apologise in advance for my tardiness with this post – I had written half of it before 1st August, then it fell by the wayside, but it’s here now! Better late than never, right?

Once again, my reading hasn’t been great having only read six books – I’ve found it hard to have time to pick up books, having to prioritise other things (if you haven’t taken a look at this post, please do!).

Without further ado, last month I read…

Plum by Hollie McNish (Picador Poetry) – 5/5

Plum hollie mcnish

Plum is poet Hollie McNish’s newest collection and features both new and old poetry – her recent poems are interrupted by earlier writing from her formative years – voices that are raw, honest and also very, very funny. If you’re looking to get into poetry, this is a fantastic place to start – Hollie is warm, honest, funny, sarcastic and passionate. I could listen to her poetry over and over again (a personal fave of mine is Mathematics – I encourage you to go and have a watch on YouTube!)

The Good Immigrant edited by Nikesh Shukla (Unbound) – 5/5

Good Immigrant

This is a collection of essays written by BAME authors, edited together by Nikesh Shukla. It explores what it means to be Black, Asian and Minority Ethnic in Britain today. The essays look at identity, culture, family and diversity; I found it enlightening, eye-opening, funny, heart-breaking and infuriating all in one. This is such an important read and one that everyone should pick up!

Them: Adventures with extremists by Jon Ronson (Picador) – 3/5

Them

It seems I was on a bit of a non-fiction roll this month! I’m a big fan of Jon Ronson’s books and my favourite of his is The Psychopath Test, however I wasn’t mad about Them: Adventures with Extremists. The book goes on a quest to explore extremism, from Islamic fundamentalists to Neo-Nazis. Originally written in 2001, this book is definitely still prevalent today; I found it fascinating in parts, but also a little boring in others.

Dying to Live by Michael Stanley (Orenda Books) – 4/5

Front Cover Dying to Live

Dying to Live is the sixth book in the Detective Kubu series – I loved the setting of the book, the African landscape added a different dimension, making it stand out from so many British crime books, which can sometimes feel a bit samey! If you’re looking for a fairly light crime novel, which is a bit different, then I’d definitely recommend giving the Kubu books a go. My full blog tour post is here.

Our Memory Like Dust by Gavin Chait (Doubleday Books) – 2/5

OurMemoryLikeDust

This one puzzled and perplexed me – my full review can be found here. Our Memory Like Dust wasn’t completely up my street, but I definitely think you’d enjoy it if you’re a fan of light sci-fi or dystopian fiction. Chait is a complex storyteller, using many themes, characters and contemporary issues to make a wider point about society – although I think some of these points went over my head…

The Marshking’s Daughter by Karen Dionne (Sphere) – 4/5

Marshking's Daughter

Last of all, I picked up The Marshking’s Daughter to help get me out of my slump! I was hooked from the get-go; it is thrilling, suspenseful and action packed. The story is centred around a woman who was born into captivity after her Mother was abducted – I was wary that this might read like Room by Emma Donoghue. I shouldn’t have been worried as it was completely different. Dionne creates wonderful, atmospheric scenery which chills you to the core. After finishing The Marshking’s Daughter I was excited to pick up another thriller.

What did you read in July? Do you have any recommendations? 

Where I’ve been…

For the last couple of months I’ve been in a bit of a reading slump and things have been a bit quieter on the blog than I’d have liked. But, I promise there is a good reason for this – I’ve been beavering away, working hard setting up my online gift-box brownie business ready for launch! For those of you that don’t know, last November – after six years of working at a fantastic London PR firm – I quit my job to pursue my passion of baking.

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Well, I am super pleased to say that Nutkins Bakery is now fully up-and-running and OPEN FOR BUSINESS. You can order gift-box brownies, with personalised gift cards, for delivery anywhere in the UK.

After months and months of hard work, late nights, blood, sweat and tears I’ve actually managed to create a site that I’m pretty proud of – at the start of this process I decided I’d build and design the website by myself, with no professional help. Looking back, I’m not sure what I was thinking…but I managed to solve the problems I had and got there in the end!

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Needless to say, I’d be absolutely over the moon if you paid my site a visit – www.nutkinsbakery.co.uk. I like to think brownies are the perfect gift, and let’s face it they’re far tastier than flowers! Please do let me know what you think of the site!

As a welcome offer, I’ve got a discount code for 10% off all orders in August. Don’t miss out!

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If you do place and order and enjoy them, I’d also love it if you left a review on Facebook (Facebook.com/NutkinsBakery), followed my Instagram/ Twitter (@NutkinsBakery) or recommended the site to a friend – after all, as a small business we count on recommendations from lovely folk like you. It really would mean the world to me.

Book Extract: Perfect Prey by Helen Fields

#BookExtract #BlogTour @Helen_Fields @Sabah_K @AvonBooksUK

Hello! Welcome to my spot on the Perfect Prey Blog Tour. Thank you Sabah, and Avon Books, for inviting me to be part of this tour. Today I’ve got an extract from Helen Fields’ latest novel, Perfect Prey (the sequel to the gripping Perfect Remains). But, before we get into the good stuff, let me tell you a little bit about the book…

About Perfect Prey: 

PerfectPrey

The second in the terrifying DI Callanach crime series. Fans of M.J. Arlidge will be hooked from the very first page.

In the midst of a rock festival, a charity worker is sliced across the stomach. He dies minutes later. In a crowd of thousands, no one saw his attacker. The following week, the body of a primary school teacher is found in a dumpster in an Edinburgh alley, strangled with her own woollen scarf.

DI Ava Turner and DI Luc Callanach have no motive and no leads – until around the city, graffitied on buildings, words appear describing each victim.

It’s only when they realise the words are appearing before rather than after the murders, that they understand the killer is announcing his next victim…and the more innocent the better.

Author: Helen Fields
Published by: Avon Books
Paperback: 464 pages, published 27th July 2017

About Helen Fields: 

Helen Fields studied law at the University of East Anglia, then went on to the Inns of Court School of Law in London. After completing her pupillage, she joined chambers in Middle Temple where she practised criminal and family law for thirteen years. After her second child was born, Helen left the Bar.

Together with her husband David, she runs a film production company, acting as script writer and producer. Perfect Prey is her second novel following Perfect Remains. Both are set in Scotland, where Helen feels most at one with the world. Helen and her husband now live in Hampshire with their three children and two dogs.

Without further ado, I hope you enjoy this extract from Perfect Prey:

Detective Inspector Luc Callanach stood at the spot where the young man had taken his last breath. His identity had not yet been established. The police had pieced together remarkably little in the hour since the victim’s death. It was amazing, Callanach thought, how in a crowd of thousands they had found not a single useful witness.

The young man had simply ceased his rhythmic jumping, crumpling slowly, falling left and right, forwards and backwards, against his fellow festival-goers, finally collapsing, clutching his stomach. It had annoyed some of them, disrupted their viewing pleasure. He’d been assumed drunk at first, drug-addled second. Only when a barefooted teenage girl had slipped in the pool of blood did the alarm ring out, and amidst the decibels it had taken an age for the message to get through. Eventually the screams had drowned out the music when the poor boy had been rolled over, his spilled entrails slinking closely in his wake like some alien pet, sparkling with reflected sunshine in the gloss of so much brilliant blood.

The uniforms hadn’t been far away. It was a massive public event with every precaution taken, or so they’d thought. But making their way through the throng, police officers first, then paramedics, and clearing an area then managing the scene, had been a logistical disaster. Callanach looked skywards and sighed. The crime scene was more heavily trodden than nightclub toilets on New Year’s Eve. There was enough DNA floating around to populate a new planet. It was a forensic free-for-all. The body itself was already on its way to the mortuary, having been photographed in situ for all the good it would do. The corpse had been moved so many times by do-gooders, panicked bystanders, the police, medics, before finally being left to rest on a bed of trampled grass and kicked-up dirt. The chief pathologist, Ailsa Lambert, had been unusually quiet, issuing instructions only to treat the body with care and respect, and to move him swiftly to a place where there would be no more prying cameras or hysterical caterwauling. Callanach was there to secure the scene – a concept beyond irony – before following Ailsa to her offices.

In the brief look Callanach had got, the victim’s face had said it all. Eyes screwed tight as if willing himself to wake from a nightmare, mouth caught open between gasp and scream. Had he been shouting a name? Callanach wondered. Did he know his assailant? He’d been carrying no identifica­tion, merely some loose change in his shorts, not even so much as a watch on his wrist. Only a key on a piece of string around his neck. However swiftly death had come, the terror of knowing you were fading, of sensing that hope was a missed bus, while all around you leapt and sang, must have seemed the cruellest joke. And at the very end, hearing only screams, seeing panic and horror in the sea of eyes above. What must it have been like, Callanach wondered, to have died alone on the hard ground in such bright sunlight? The last thing the victim had known of the world could only have been unalle­viated dread.

Callanach studied the domed stage, rigged with sound and lighting gear, and prayed that one of the cameras mounted there might have caught a useful fragment. Someone rushing, leaving, moving differently to the rest of the crowd. The Meadows, an expanse of park and playing fields to the south of the city centre, were beautiful and peaceful on a normal day. Mothers brought their toddlers, dog walkers roamed and joggers timed

the circuit. Strains of ‘Summer is A-Coming In’ sounded in the back of Callanach’s mind from a screening of the original version of The Wicker Man that DI Ava Turner had dragged him to a few months ago. He’d found Edward Woodward’s acting mesmerising, and the images of men and women in animal masks preparing to make their human sacrifice had stayed with him long after the projector had been switched off. It wasn’t a million miles away from the circus in the centre of which this young man had perished.

‘Sir, the people standing behind the victim have been identified. They’re available to speak now,’ a constable said.

Be sure to swing by the blog in August, when I hope to publish a full review! You can check the other posts on the blog tour out here: 

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Blog Tour: Our Memory Like Dust by Gavin Chait

#BlogTour #OurMemoryLikeDust #BlogTour #BookReview @RosieMargesson @GavinChait

Good morning and happy Friday! Welcome to my stop on the Our Memory Like Dust blog tour. Here goes…

About the book: 

OurMemoryLikeDust

Why do we tell stories? To hold on to what has been loved and lost, to create new myths, to explain and teach in ways that seep into memory.

Shakiso Collard leads the evacuation from Benghazi as jihadis overwhelm the refugee camp where she works. On arrival in Paris, she is betrayed by her boss, Oktar Samboa, and watches in despair as those she illegally helped escape are deported back to the warzones of Libya.

Elsewhere, Farinata Uberti – strongman CEO of Rosneft, the world’s largest energy company – arrives in London after triggering a violent insurrection in Tanzania to destroy a potential rival in the oil market. In the Sahara, an air convoy on its way to deliver billions of dollars of drugs and weapons to Ansar Dine jihadis crashes and is lost.

A year later, having spent months in hiding, Shakiso travels to West Africa. She is there to lead the relief effort that are hoping to stop the 200 million refugees fleeing war and environmental collapse heading for a fortified and fragmented Europe.

As the myths of these millions seeking new lives across the Mediterranean intrude into reality, Shakiso is drawn into the brutal clandestine fight against Rosneft’s domination of European energy supplies being conducted by the mysterious Simon Adaro. And, deep within the disorienting Harmattan storms of the desert, a group of jihadis have gone in search of the crashed convoy of planes – and a terror that could overwhelm them all.

Author: Gavin Chait
Publisher:
Doubleday
Hardback: 400 pages, 27 July 2017

My thoughts:

Following a number of characters and storylines, at first Our Memory Like Dust is a little confusing, but soon enough you start to connect the dots and the story unfolds. Throughout, Chait focuses on the fragility of memory, which ultimately is explored through the good, the bad, the powerful, the helpless and those in between. Set in Africa, in a dystopian future there are loads of cool tech ideas and concepts that Chait includes to bring the story to life.

I found that Chait tackles so many contemporary issues throughout, that sometimes I had to take a step back to get my head around what was going on. Themes of war, conflict, mythology and politics cropped up, but to name a few. However, I certainly think it worked with his style and also the woven story that he tells, which is rich and disturbing in places.

Going into Our Memory Like Dust, I had no idea what to expect. After finishing it, I’m still digesting it in my head and going over what happened. Overall, Our Memory Like Dust is a really unusual read and was not at all what I was expecting. This book is ideal if you’re looking for a slow burner and are a lover of light sci-fi or dystopian fiction.

About the author:

GavinChait

Born in Cape Town in 1974, Gavin Chait emigrated to the UK nearly ten years ago. He has degrees in Microbiology & Biochemistry, and Electrical Engineering. He is an economic development strategist and data scientist, and has travelled extensively in Africa, Latin America, Europe and Asia and is now based in Oxford. His first novel, Lament for the Fallen, was critically acclaimed (Eric Brown in the Guardian called it ‘a compulsively readable, life affirming tale’). Our Memory Like Dust is his second.

I received an advanced copy of Our Memory Like Dust in exchange for a fair, honest and unbiased review. Thanks Rosie!

 

Author Interview: Chris Carter, The Caller

Today I’m joined by the wonderful author Chris Carter to celebrate the paperback publication of The Caller, which is the eighth book in the Robert Hunter series. Before we get into the juicy stuff, let me tell you a little bit about both Chris and the book first…

The Caller:

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Be careful before answering your next call. It could be the beginning of your worst nightmare.

After a tough week, Tanya Kaitlin is looking forward to a relaxing night in, but as she steps out of her shower, she hears her phone ring.  The video call request comes from her best friend, Karen Ward.  Tanya takes the call and the nightmare begins.

Detectives Robert Hunter and Carlos Garcia are thrown into a rollercoaster of evil, chasing a predator who scouts the streets and social media networks for victims, taunting them with secret messages and feeding on their fear.

Author: Chris Carter
Published by: Simon & Schuster
Paperback: 496 pages (also available in hardback, eBook and audio book)

About Chris Carter:

ChrisCarter

Chris was born in Brasilia, Brazil where he spent his childhood and teenage years. After graduating from high school, he moved to the USA where he studied psychology, specialising in criminal behaviour. During his University years I held a variety of odd jobs, ranging from flipping burgers to being part of an all-male exotic dancing group.

He worked as a criminal psychologist for several years, during which he interviewed and worked on over one hundred cases involving serial killers, murderers and serious offenders, before moving to Los Angeles, where he swapped the suits and briefcases for ripped jeans, bandanas and an electric guitar. After a spell playing for several well-known glam rock bands, he decided to try my luck in London, where he was fortunate enough to have played for a number of famous artists. He toured the world several times as a professional musician. A few years ago he gave it all up to become a full time writer.

So, without further ado – let’s have a little chat…

HBC: How do you research crimes and murders to ensure they’re portrayed credibly in the books?
CC: Other than drawing from my past experiences with crime scenes and working with the police, I do use the Internet a lot.  There are several sites that report on crime in more detail than the regular media.  They are a great source of information.  I also have a couple of contacts in morgues for the forensics details.

HBC: I saw recently that you have insomnia – how do you decide which of your own experiences / personality traits will be present in your characters and do you get your best ideas for writing at night?
CC: The personality traits I share with Hunter (some with Garcia as well) were decided randomly.  It is easier to talk or write about what you know.  In the case of insomnia, since I have suffered from it for so many years, it was very easy for me to create a character who suffered from the same affliction because I know exactly how that feels and the kind of problems that can come from it. To be honest, get ideas all the time.  At night, in the morning, in the afternoon… sometimes even when I’m asleep.  Any little fact can give me an idea for a plot, so I am always looking around for something that can trigger a story I my brain.

HBC: How have your studies in psychology and criminal behaviour, as well as your career as a criminal psychologist, influenced your writing?
CC:
It has completely influenced my writing.  My main detective is an ex-criminal psychologist and the main reason for that is so I can use my knowledge in the subject in my novels.  A lot of the crimes and crime scenes in my novels also derive from real crime scenes and cases I was a part of during my previous career.

HBC: What made you want to leave criminal psychology and your life as a musician behind, to pursue a career in writing?
CC: The truth is that I had never planned on writing a book.  I never though about a career in writing and I never spent any time thinking up stories or developing characters in my head that I would one day want to write about.  My submersion into the world of books – writing books that is – came out of a dream I had back in 2007.  I didn’t exactly leave music to become a writer.  I had stopped being a professional musician many years before I had the dream that led me to write my first book.

HBC: Having had a number of books out in fairly quick succession, how do you keep yourself motivated when writing and how do you avoid pressure?
CC: I’m not sure I can say that I had a number of books out in quick succession.  I release one book per year, which I think is about the norm for authors nowadays. The motivation for me is easy – I absolutely love what I do.   Love every part of the writing a novel process – the research, the creation of characters, the feeling that I get when I get a good idea for a plot… everything.  When you enjoy what you do so much, motivation isn’t a problem. Now pressure I can’t avoid.  I do basically live under it all the time, but I guess it helps push everything forward.

HBC: How has your own fear inspired your writing?
CC: Not very much, I’m afraid.  What I fear the most are large insects and spiders, but is not an obsessive fear.  I have used insects in one of my novels and I must admit that that was a very innerving scene to write.

HBC: Your books are addictive – do you have a formula in mind when writing?
CC:
I wouldn’t call it a formula, but I do follow a pattern, which started with my first book. Because The Crucifix Killer did so well when it was released, to me it stood to reason to write my second book using the same style I used with the first one, with one major change – I decided to use much shorter chapters.  That book also did very well, so I used the same pattern for my third novel and so on. I did try a brand new pattern for book six, which also worked very well.

HBC: What books and authors inspire you?
CC: The truth is that I don’t really have a favourite writer and I was not inspired to write by anyone.  I never even thought about being a writer until I had a dream about a story, which turned out to be The Crucifix Killer, my first novel.  I do respect every single author out there, because this is a tough job, I just don’t have a favourite one. I used to love reading Frederick Forsyth.

HBC: What’s next for you?
CC: I am now just finishing my 9th novel, which will be titled “The Gallery of the Dead”.  After that I will take a break of about one month before starting book number 10.

HBC: And finally, what are your vices?
CC: Dancing, single malt Scotch whisky and listening to music.

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A HUGE thank you to the wonderful Chris Carter for taking time out of his schedule to have a quick chat, and also to Jamie at Simon & Schuster for organising this opportunity. Keep your eyes peeled for a full review of this one next month.